Con ciò si era compiuta la transizione dal sound analogico a quello digitale. Schulze did commission an Amann cover for Picture Music as well as pictured above, showing a man bound to a ceiling , probably after the first edition of the album was released, but Brain Records did not have a reason to pay the expense of having a new cover designed unlike his first two albums, which were originally issued under other sub-labels of , Brain's parent company, and then reissued on Brain with new catalogue numbers, so new covers had to be designed anyway , and rejected it. In compenso Mirage Brain, 1977 , il suo primo lavoro interamente elettronico e uno dei primi album di ambient music insieme a quelli di , eliminò di colpo i ritmi. Later we phoned, and we met again at a music fair here in Germany. More covers have also appeared.
Each section seems well-placed, each transition sensible. A few spacey sound effects are thrown in here and there. There is a rare quality this material possesses, like a refined experimentation, which somehow was meant to be private thus free of useless stardom and glitter. The lead part continues unabated as sequencer patterns re-assert themselves over the final two minutes. I due pezzi recuperano il formato della sonata in un contesto violentemente psicologico. Had X consisted only of these three synthesizer-based tracks, it would be a very good, one-disk album that would have followed logically from its predecessor, Body Love Vol.
Fu uno dei massimi pionieri della musica elettronica popolare, precursore di decine di stili che prenderanno piede nella musica rock nei 30 anni successivi. However successful it was commercially, it was phenomenally successful as art. It was important to me to paint the pictures in the depth of the space, the sonic fields of tension and atmosphere. I met Robert Moog face to face first at an electronic festival in Austria in 1980. Silence And Sequence - Perigee 12. And, in the sixties, I played in bands before T. The relative volumes of the sequence, the drum kit, the synthesizer pads, and the synth leads, seem to vary in some sinusoidal pattern until the rhythmic parts seem to gain the higher ground in the last few minutes.
In 1985, in the U. I sibili elettronici che aprono l'opera si accumulano gradualmente in una suspense catalettica che prepara l'ingresso dei violini; la struggente melodia di questi affonda in un caos di fasce sonore che si è ormai fatto assordante; altri suoni precipitano riverberati da lontananze galattiche e all'improvviso un organo a canne intona il crescendo liturgico che è un po' il cuore del disco: deformato, cadenzato, accelerato, simula una pulsar impazzita, dilaniata da una pressione immane, che infatti esplode all'apice dell'orgasmo. I went solo because I could do much better what I wanted to do. I told the following story very often: at one of our concerts I tried to play some organ tapes that I had recorded and treated in an uncommon fashion. The sound effects become more prevalent - - or at least louder.
This state continues for several minutes as the sequence gradually regains its place in the mix, then fades as the end of the track approaches. It is not a feel-good album, but it certainly isn't nightmarish. You included your own piece on Goes Classical also- do you see yourself carrying on a tradition or being a part of a tradition then? Despite this warning, the appearance of the drum-kit at 11:54 is abrupt. The year 1975 is, though, grand for Schulze's solo music, as much as it was a referential year for electronic by and large, composing Timewind, doubtlessly among his three fundamental creations. But the other nine of his first ten albums are better. Go Too 1977 Ecliptic Офф. The boys bought equipment that was very similar to that used by Pink Floyd, a super-band for which the three had, apparently, a special affectio.
As always in a musical collaboration: One has to like each other. At 5:57 the sequencer returns to a prior state, where it stays until it fades slowly during the song's thirteenth minute. Schulze stays under contract with the Ohr label, releasing in 1972 Irrlicht, a drone album, tough and impersonal, experimental and processed at the same time. Totem 23 minuti , grazie alla sua cadenza incalzante di sequencer Schulze si ricorda di essere stato un batterista , sarebbe diventato un classico, ma il seguito avrebbe portato anche molte opere scialbe e monotone, annacquate da artifici sempre identici. Maоtre Cornille In The Fields 08. Some Velvet Phasing indulge in una stasi minimalista quasi zen e proto-ambientale. How did this come about? Or, to put it in different, but equally obscure terms, Cyborg is of a higher compositional quality.
This was sensational once, because it was unusual. They used musical therapy, and because I was a musician and the doctors were certainly tired of always the same music I was asked to make some tapes for them, which I did. . His first five albums were displayed in correct order on the back cover of his next album, , but his tenth album 1978 displayed the previous albums with Picture Music explicitly identified as the third, dated 1973, implying this was the release date as well. The sampling technic is faster, cleaner, anything you want. In short: a highly recommended album, and a masterpiece of progressive-electronic music. Much more detailed information can be found in The Works.
Schulze fu attivo anche negli ermetici Cosmic Jokers con Gottsching e il percussionista Harald Grosskopf , autori involontari di due album, Cosmic Jokers Ohr, 1974 , con una suite per facciata, Galactic Joke e Cosmic Joy, e Galactic Supermarket Ohr, 1974 , con altre due suite di 19 minuti ciascuna, Kinder des Alls e Galactic Supermarket, che erano semplicemente registrazioni di acid parties, e poi nell'ensemble di Stomu Yamashta, titolare di Go 1976 e Go Too 1977 , e infine nel collettivo Richard Wahnfried, dei quali usciranno cinque album: Time Actor Innovative Communications, 1979 il più rock, Tonwelle Innovative Communications, 1983 il più percussivo, Plays Megatone Thunderbolt, 1984 il meno interessante, Miditation Brain, 1985 il più sinfonico. Then I founded Ash Ra Tempel. This makes it complicated to explain why I don't consider Body Love to be as good as, say, Body Love 2. Вот мне даже рутрекер сейчас подчеркивает неправильное при наборе. Posted Wednesday, April 24, 2019 Review 2186682 Timewind 1975 was a low point in Klaus Schulze's first ten albums, and Moondawn, released the following year, was somewhat of an improvement. Go Live From Paris 1976 Part 4 03. It wasn't a surprise to find out that Schulze created this work as his brother was dying.
For the sets, the idea to do them was Klaus Mueller's, and I'm sure he told the world already why he did it, in his announcements, in interviews, but also in the set's booklet texts. Ancient Ambiance - Dusty Spiderwebs And A Shourn Monk 05. Кардинальных различий нет, в последнем разве что ступеньки на верхах будто размазанные немного, не знаю, хорошо это или наоборот. Into The Blue - Blowin' The Blues Away 03. Scroll down for recent reviews in english. Подарив сыну классическую гитару, родители хотели воспитать из мальчика классического музыканта, и Клаус прилежно посещал уроки гитарной музыки на протяжении семи лет с 1951 по 1958 гг.